For some of my video projects, the client wants a talent or host; so I have the wire them for sound. In the past, I’ve used the Sennheiser wireless mics and they are great. But at more than $600 a bit pricey for my needs. So I was looking for a low-cost alternative and came across the RODE Smart Lav. At $60 bucks, it fit the bill.
The Smart Lav plugs into your smart phone and records into the RODE Rec app. The app is free but the $5.99 upgrade offers many more settings and functions including the ability to upload the audio files to Dropbox. In the field, instead of worrying about running out of memory or somehow losing the file, I just sent it to Dropbox. This allowed me to have two copies of each file. Here’s a video from the company showing some of the features of the app:
So how did it work? Check out this video comparing the on-board mic on my Canon 5D MKIII DSLR and the RODE Smart Lav:
You can hear the obvious difference. Not bad for something that is a tenth of the cost! I also like that the Smart Lav comes with a windscreen. This helps when shooting outdoors and to minimize “popping p’s” from the speaker.
There was one problem though. Out of about 11 files, 2 were not useable. One came out very low and I could not recover it in post. Another sounded very muffled. The muffled sound may have been caused by the mic slipping and being covered by clothing. But I cannot explain the low sound on the other file. I am a little worried about the inconsistencies but the other audio files sounded fine. I haven’t decided whether to try it again or to back to renting the Sennheiser.
The other consideration is syncing the audio to the video in post. This takes a little work but was easier than I expected. With the Sennheiser the audio records straight into the camera so the audio and video file are already synced.
Still, if you need a low-cost option to getting good sound, the RODE Smart Lav might be your best bet.
In a recent blog post I mentioned that I recently invested in quite a bit of gear to start doing more real estate videos. I really want to increase the production value and make the videos cinematic. Here is some of the equipment I’ll be using:
1.) Westcott Spiderlite TD 6 Continuous Lighting Kit
4.) Cinevate Atlas FLT 26 inch slider with vertical kit and counterbalance
6.) Rode Smart Lav
I plan to review each piece to let you know how it works and why I use it. So stay tuned for that.
I’m starting to do more real estate videos. Not satisfied with run-of-the-mill videos, I recently invested quite a bit of money into equipment that will step up the production value. One of those items is an intervalometer to help me do time lapse.
I did the short clip above by hand; meaning I did not have an intervalometer. I simply used the timer on my iPhone and a cable release to take the necessary exposures. After trying that, I knew I needed a remote timer to make it easier on me, so I went ahead and bought it.
There are a ton of tutorials on the web about time lapse so I won’t rehash here. Just know there is some math involved to figure out how many frames you need. I knew I wanted a 4-second clip and I’m recording at 24 frames per second. So I need 96 pictures to cover 4 seconds (4 x 24=96). I want to take a picture every 3 seconds to show the movement of the clouds. So I multiply 96 x 3=288. That’s how many seconds I have to shoot with a 3-second interval to get 96 frames. 288 divided by 60=4.8 or about 5 minutes. So for five minutes, I took a picture every 3 seconds and got 96 frames to cover 4 seconds of footage. In other words, you just saw five minutes fly by in 4 seconds.
Soon, I’ll post reviews on all the pieces of equipment I acquired including the intervalometer, so stay tuned for that.
I think it’s Zack Arias who says “less noise, more signal.” David Hobby’s interpretation of the phrase is “less frequency, more amplitude.” Basically it boils down to quality over quantity. That’s how I would describe my blog in 2013. I decided that instead of reposting or re-purposing interesting photography-related articles, I would focus my blog on my photo shoots or topic related to interior photography. I still post the interesting articles on my Facebook page which gets posted on my Twitter feed. So if you want to see those, please follow me there. But I figure other photographers are not my customer base or potential clients so I want to focus my blog to help attract new business.
In 2011 my blog had 14,793 visits which just blew my mind. In 2012 that number was 18,159. Considering I blog only occasionally and make no money from my blog, I think that’s pretty good. The total number for 2013 was “just” 13,303. But I only wrote 15 new posts for the year. Less frequency. More amplitude.
I’ll really try to blog more in 2014 and I hope you continue to find value in what I have to say. You can always search the archive for helpful and interesting posts.
Anyway, take a look at the report WordPress put together and if you commented on my blog in 2013 you might see your name.
Thanks for reading…
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 13,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 5 sold-out performances for that many people to see it.
If you’ve read some of my past posts on licensing and copyright, you know I try to spread the gospel on why copyright is so important. You might remember my debacle with a contractor working for Applebee’s who wanted my images for free. So you can imagine my chagrin when I come across photographers who are giving their work away. It not only hurts them but it hurts other photographers.
Take a look at the screen grab above. Notice the line that reads “we will provide copyright free photos”. I really don’t think they understand the concept. Let’s review. When anyone takes a picture, be they a professional or not, they have created a unique work of art and the copyright remains with them. Copyright means just what it says: the right to copy. You decide who has what right to your work. By giving away your work, you are leaving money on the table and allowing someone to do whatever they want with your work.
Wedding photographers have long made a living by up-selling. Let’s say they charge $2,500 for a wedding which includes a few prints and maybe an album. If the couple or their families want prints or additional albums, that’s an extra charge. This is a form of licensing. The photographer is saying, you have the right to the prints and album I promised you, but if you want more products you may not print them yourself which would deny me income. You must pay more for more copies of my work.
The classic example I give is of the Harry Potter books. When Hollywood made the movies based on the books, do you think they did so without asking J.K. Rowling? I live in Orlando, home of theme parks like Universal which has a section dedicated to the boy wizard. In 2011, The Wizarding World of Harry Potter boosted the theme park’s revenue by 8.2% to $393 million. There are plans to expand the park next year. Do you think Ms. Rowling just gave away the rights to her work? Every toy wand, Halloween costume, DVD sale, etc. means more money in her pockets. That is the power of licensing and copyright. Imagine if she had given away her copyright and companies made millions of dollars from her work and did not have to give her a single dime!
Notice also, in the example above, how they are willing to undercut another photographer who might charge less. This is another sign of unprofessionalism. Only you can know what your business costs are. How much does it cost to keep the lights on and feed your family? That varies from person to person. If you charge less than normal, you are in essence making less than what it takes to pay your bills. How can you expect your business to survive? Read my post on figuring out what to charge.
Here is another photographer who is giving away his copyright. Let’s take the last example of “Shoot the Band”. OK, I’m in a band and hire him to take our photograph for some promotional items. It goes on our website and flyers we post around town. The marketing attracts people to our concerts which means more money for us. We release a CD and use the images on the cover. That’s more revenue for us and none for him. Let’s say we make it big and sign a big record contract. We use the images on the new CD. The pictures are used in Rolling Stone magazine (which makes money from subscriptions and news stands). Again, money for us, money for the magazine and NOTHING for the photographer.
Are you familiar with the album cover of Maroon 5′s “Hands All Over”? Here’s the story: a 19-year old took that picture. The band’s management found it on Flickr and contacted her. They did a reshoot based on the photo and viola! She’s gone on to do major shoots for clients like Elle. But let’s say it had worked out a little differently. Let’s pretend she took that photo for a little-known band called Maroon 5. The band makes it big and uses the photo on an album cover that sells millions of copies. If she had given away her copyright, she would not be entitled to any further compensation.
Remember, when you download a song, buy a DVD or book you don’t own that work. You are purchasing a license for personal use. If you want to profit from it; like using a song in a YouTube video, charging people to watch a movie or making a film based on a book, you have to pay the artist.
Look, it comes down to getting paid for your work. You go to work Monday through Friday, 9-to-5 and you get a paycheck. That’s fair, right? So why would a photographer not want to get paid for their work? The more money someone makes from your work, the more you can charge. You are not only leaving money on the table but you are degrading the industry. Clients like Applebee’s will expect “free” photos. Perhaps you heard about how the National Association of Realtors asked renowned blogger and educator David Hobby for free photos. It cheapens photos and trains the general public to devalue the work. I can’t tell you how many times a client has asked or argued over why they can’t use my photos for whatever purpose they want. They say “well the other photographer just gave me all the images on a disk and let me do whatever I want with them”. That is the difference between a pro and an amateur. A pro knows that being a professional photographer isn’t just about taking pictures. It’s a business and you have to know about pricing, licensing, copyright, insurance, taxes, marketing, etc.
When you shoot for a client you have to specify how they can use the images. Can they post it on social media? Can they take it to Walgreens to make prints? Is it personal use or will they profit from the work?
Protect your copyright. It’s worth something.
It had been more than a year since I was at Bella Vida resort in Kissimmee, FL when I got a call from a new client asking to photograph a house there.
The property manager is also a decorator and I thought she did a nice job with a beach vibe in the dining area. From the color palette to the decor, it made me feel like sinking my toes into the sand.
I was originally just going to post that picture, but I went back a few nights later for some twilight shots.
I always check the forecast before a twilight shoot because while some clouds can make a sky interesting as it changes color; too many clouds can ruin the shot.
Just my luck, the direction I was shooting in had a dark, ominous cloud. Across the street was clear and beautiful, but this is what I had to deal with:
Well, when life gives you lemons…use a sky replacement!
The home also has a cool color wheel on the pool light. Check it out:
There’s this guy; hard to please. You know the type. Every once in a while, he’ll like one of my images, but he’s never really satisfied with my work. That guy is me. I think I am producing some of the best work of my career right now. Not every single image is a winner, but I have more hits than misses and the hits are pretty good. But I’m still not where I want to be. I am, at least, reassured by looking at my past work. I can look at my work from a year ago and wince a little. It was the same the year before that. It’s a sign of personal growth.
I’ve done “before and after” comparisons before (links at the end of this post). This time, I am comparing my own work. I recently had the opportunity to photograph a property that I shot in 2010.
This first one isn’t terrible, but the color seems a bit off and it would be nice to see what’s outside that window.
That’s better. A slightly different composition but the room seems a bit brighter. Here’s the reverse angle:
Next is the master bedroom:
I think I was trying too hard to show the TV in the shot (clients ask for it). So I decided to take a different approach.
Again, you can see out the window and the color and lighting is a bit more pleasing. How about the master bath?
Ouch. Enough said.
That last one is pretty much the same story. I’ve learned a lot over the last few years, mostly through trial and error. I develop new techniques and refine them. When you do something over and over again, it begins to take shape. I hope I can look back at my work next year and see improvement.
Can’t get enough of the before and after stuff? Check out these past posts: